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The `PB' and the aestheticization of violence in Northern IrelandThe Queen's University Belfast, Northern Ireland, UK, j.skinner{at}qub.ac.uk This article examines the creative appropriation and transformation of a protest vehicle such as the petrol bomb. I show that the human imagination can create an aesthetic out of even the street protest, carnivalizing and translocating such violent practices into the dance studio, the theatre, and even the everyday.
Key Words: petrol bomb creativity Northern Ireland dance theatre aesthetics protest
Ethnography, Vol. 9, No. 3,
403-414 (2008) |
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